From the Ground Up Episode 2 : Plainview Kiet

This was not supposed to happen the way it did. It felt like this episode would never finish. I went in thinking this would be the shortest episode to come from the “From the Ground Up” series because of the lack of content. When we shot with Plainview he was dealing with a lot of personal things which were documented in the episode but it meant musically there wouldn’t be a lot of the rich b-roll that was captured with other artists. I told Carla this would maybe be 20 minutes.  Recognizing there would be a struggle to get to half an hour I thought of ways to have a creative edit that could push the episode to 30 minutes.  As I started breaking down the segments I soon realized maybe there is far more here than I thought.  Plainview was very slow to open up. I could tell he came in wanting to be open but has never been put in a position where he would be on the record to express the things that truly troubled him. As I reviewed content from each session I realized he was giving more and more each session.  He was less guarded as we spent more time together. Which actually made the editing process harder. I no longer could breakdown segments into themes on a subject matter, I had to treat the segments more like peeling the layers of onions.  Plainview would give me explanations through his guard and then on another day give me a little bit more with a new context that served as a vehicle to a larger revelation that I discovered. Plainview Kiet actually suffers from a crap ton of inner turmoil and trauma.
 After a session of shooting when Plainview was shooting a music video Carla said to me “…I find it interesting that he said he grew up without his parents…” I initially blew it off as this is a very common theme amongst artist in this genre who come out of broken homes. It was not until I was more than half done with the scene arrangement that I realized that that notion would be almost the driving force behind a lot of Plainview’s personal makeup as a person. I knew that I had to balance that across the episode and this grew to make this one of the most complicated edits I had to make. The people want music music music but as a creator, I know the long lasting impression comes from the story and it is my job to balance what people want with the story I need to tell. The initial cut of Episode two came in at 47 minutes. Which was far too long I knew cuts needed to be made. This audience will not have the patience for 47 minutes of talking no action. I had to make some major cuts and I had a nice flow to where things were headed and the next thing you know the MacBook charger committed suicide. The damn thing just stopped working with 30 percent battery left. This would be the second charger to go within a year and I was surely not going to pay 100 bucks for a new one from Apple. 9 days later thanks to Amazon I received my replacement. That was a painful thing because I do so much of my creativity on the Macbook and I was stuck.
Boom I am back at it and lost all momentum but now after time away from it, I realized many of the cuts didn’t make sense and the flow was blah.  43 minutes is the total time and I think maybe if I re-edit the final scene  I could cut about 4 minutes off of it. So I rework it and boom 42 minutes…not enough… maybe if I cut this conversation and rework the middle scene I would save 4 minutes… nope  41 minutes. Maybe if I make this scene last and move this to the middle I can save 4 minutes.. blah blah blah. I had become obsessed with getting this once 20-minute episode that ballooned into 45 minutes down to 30 and I just couldn’t do it.  It was frustrating because now I am finishing Plainviews lines and actually having conversations with the screen and just going delirious about this one episode that should have been done a month ago but the god complex of directors make you obsess over small things that the big picture wouldn’t see. I had finally had enough and became content with the final runtime. The people have waited long enough and the stories were so pivotal that the need to be longer so that context would stay intact. 
There is one scene I wanted to keep but used it as a tradeoff to keep a story I felt was more important about his relationship with Space Station  Not Human owner Tevin Jacques.  I will use that deleted portion for bonus content later and it is about his use of the N-word in his music as an Asian artist. Heads will roll but its the conversation fans wanted me to have with him to justify his reasoning.  Another more obsessive nature of the edit occurred after I submitted to being done I watched it over and over and said to myself “lets back the early half with even more b-roll to keep energy high going into the second half when things get more serious. There is one beautifully emotional moment where we get to share the reuniting of Plainview and his mother for the first time in over a decade.
Episode 2 of From the Ground Up drops on Facebook and YouTube or the official website March 30th, 2019 at 5pm. I hope everyone enjoys it please let me know what you think.
http://facebook.com/groundupict
http://groundupict.com 
Advertisements

David Rickels presents 4 Horsemen (behind the scenes)

ok I know it has been a while and currently I am mobile so excuse the grammar in this update but I have had some great responses and questions about how I put this thing together. Also I am hard at work  for 2016 and this year will take a bit more focus and work. Very very ambitious year ahead and a new site coming soon  First up, I had to link up again with my boy David Rickels and
put out  another short promotional film. Monday we Continue reading

David Rickels presents 4 Horsemen (JMTK)

 

 

David “Caveman” Rickels has became the name in mixed martial arts in Wichita, Ks with his incredible fighting style and entertaining walkouts for Bellator MMA. Feb 26, 2016 Caveman is bringing one more thing to the cage with him at Bellator 150. At Bellator 150 the Caveman will be bringing his band of brothers to fight on the card . Thai Clark, Manny Meraz, Chris Harris along with David Rickels make up the 4 Horsemen and leading the charge is the world renowned trainer of the elite Andy Zerger of JMTK. I know what you are asking “Who are these guys and what is a ‘JMTK'”. In this short film you will have all your questions answered and then some! Watch and then tune into Spike.com and Spike on Feb 26th to see them live and in action at the Kansas Star Arena fighting on one of the biggest stages in the world Bellator 150.

Directed by LD Rowe of aRowe Films